gilbri.jpg

The Shame of Salon continues her 2008 Ladywood for Sarah! campaign by upbraiding that effete snob Dick Cavett over his dismissal of the Mukluk Marblemouth:

However, Cavett’s piece on Sarah Palin was insufferably supercilious. With dripping disdain, he sniffed at her "frayed syntax, bungled grammar and run-on sentences." He called her "the serial syntax-killer from Wasilla High," "one who seems to have no first language." I will pass over Cavett’s sniggering dismissal of "soccer moms" as lightweights who should stay far, far away from government.

I was so outraged when I read Cavett’s column that I felt like taking to the air like a Valkyrie and dropping on him at his ocean retreat in Montauk in the chichi Hamptons. How can it be that so many highly educated Americans have so little historical and cultural consciousness that they identify their own native patois as an eternal mark of intelligence, talent and political aptitude?

In sonorous real life, Cavett’s slow, measured, self-interrupting and clause-ridden syntax is 50 years out of date. Guess what: There has been a revolution in English — registered in the 1950s in the street slang, colloquial locutions and assertive rhythms of both Beat poetry and rock ‘n’ roll and now spread far and wide on the Web in the standard jazziness of blogspeak. Does Cavett really mean to offer himself as a linguistic gatekeeper for political achievers in this country?

And then, Camille From the Block adds, in her best slam poetry "patois":

My conclusion was that Cavett the Nebraska native had gotten far too processed by his undergraduate experiences at Yale, at a time when Yale was stuffily insular and a bastion of WASP pretension. An incident from 40 years ago flashed into my mind: During my first semester as a graduate student at Yale in 1968 (10 years after Cavett had graduated from Yale College), I was taking Anglo-Saxon from a dashing young professor with one of those classic WASP dynastic names — like "The Philadelphia Story’s" C.K. Dexter Haven. He was an affable fellow, a medievalist who went on to become a popular master of one of the undergraduate residential colleges.

As Mona Lisa Vito used to say: "Oh yeah, you blend. "