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The Shame of Salon:

"Barack the Magic Negro" was a song parody by a longtime contributor to the Rush Limbaugh Show, Paul Shanklin, whom I consider to be one of the most brilliant satirists of our time. Shanklin has an analytic erudition about popular music, a genius for mimicry, and an astounding gift for creative rapid-response to hard news.

Okay, let’s pause for a moment to review the genius that is Paul Shanklin:

Barack the Magic Negro lives in D.C.
The L.A. Times, they called him that
‘Cause he’s not authentic like me.
Yeah, the guy from the L.A. paper
Said he makes guilty whites feel good
They’ll vote for him, and not for me
‘Cause he’s not from the hood.

See, real black men, like Snoop Dog,
Or me, or Farrakhan
Have talked the talk, and walked the walk.
Not come in late and won!

Oh, Barack the Magic Negro, lives in D.C.
The L.A. Times, they called him that
‘Cause he’s black, but not authentically.
Oh, Barack the Magic Negro, lives in D.C.
The L.A. Times, they called him that
‘Cause he’s black, but not authentically.

Some say Barack’s “articulate”
And bright and new and “clean.”
The media sure loves this guy,
A white interloper’s dream!
But, when you vote for president,
Watch out, and don’t be fooled!
Don’t vote the Magic Negro in –

Back to Paglia:

The widespread and vitriolic misjudgments about what goes on during Rush’s show could and should have been dispelled a decade ago had Shanklin’s fiendishly clever parodies been released into general circulation. Yes, they can be purchased in CD collections, and they are also available online to subscribers to the Limbaugh Web site, but that draconian limitation has unfairly confined Shanklin’s work to conservative partisans. My all-time favorite in the Shanklin oeuvre is "I Can’t Recall," a parody of "Try to Remember" (from "The Fantasticks") with an air-headed Hillary on the witness stand claiming that she just can’t remember a single darn thing about that silly old Whitewater deal because her mind has turned to Jell-O … Jello-O … Jello-O (fading off in echoes).

When I first heard "Barack the Magic Negro" shortly after the March 2007 publication of the Ehrenstein article (which was partly inspired by a term used by director Spike Lee), I found it very daring and funny. It was timely and had the shock of the new — exactly like Lenny Bruce’s violation of conventional proprieties.

Jesus. Cheesy song parodies, a staple of Morning Zoo radio programming, have become the new Lenny Bruce.

The terrorists have won.