RIP Bob Bogle:
Bob Bogle, a founding member of the Ventures, the long-running guitar band whose jaunty 1960 hit “Walk — Don’t Run” became an early standard of instrumental rock ’n’ roll and taught generations of guitarists how to make their solos sparkle, died on Sunday in Vancouver, Wash., where he lived. He was 75.
[...]
Although not the first instrumental band of the rock era, the Ventures were the most successful and enduring, applying their twangy, high-energy sound to dozens of albums. Older than the typical teenage garage band, the members of the Ventures cut wholesome figures, their guitar gymnastics coming across as good, clean sport.
Mr. Bogle and Don Wilson, two young construction workers and novice guitar enthusiasts, started the group in Tacoma, Wash., in 1958. Unable to attract a record label, they founded their own, Blue Horizon.
Their first single, “Cookies and Coke,” was a flop, but for their second they chose “Walk — Don’t Run,” a tune by the jazz guitarist Johnny Smith that Mr. Bogle had discovered on a Chet Atkins album. The Ventures transformed the gentle original with a quick tempo and bright, punchy guitars. Mr. Bogle played the lead part, punctuating the melodies with springy vibrato and various noisemaking tricks.
“They took a jazz song that had some swing to it, and they garaged it out,” Peter Blecha, author of “Sonic Boom: The History of Northwest Rock From ‘Louie Louie’ to ‘Smells Like Teen Spirit,’ ” said in an interview on Tuesday. “They stomped their way through it, ignored the niceties of the sound and made it palatable to 15-year-old tastes.”
Thank Jeebus we still have Los Straitjackets



23 Comments
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Thanks for the post Tbogg. Had not heard this sad reminder that I am getting older.
Los Straitjackets? WOW!
Hilarious, what teevee producers thought the kidz wanted to see in 1960. You can’t tell who’s playing what, what instrument’s producing what sound… And the cheeseball choreography, so brilliantly parodied by Los Straightjackets — wonderful.
When Decca turned down the Beatles in 1962, their reason was that “groups with guitars are on their way out.” They meant, specifically, the Shadows, but the Ventures provided the blueprint. It wasn’t the music, per se, but the coordinated jive stage moves that the Fabs resolutely refused to do, that was on the way out.
Damn, there’s no cords visible on the guitars in that Ventures video. Awesome tech for the early 60s!
I’d like to tell you about the time I found myself in a hot tub with the Ventures in the 80s (they were in their 50s, I was in my 20s) but I don’t remember it all that well, since I was super drunk. About the only thing I can remember was counting the women in the hot tub, comparing it to the number of Ventures, and based on that calculation deciding to get out of the tub and go home. P.S. It was a pretty big tub …
“They stomped their way through it, ignored the niceties of the sound and made it palatable to 15-year-old tastes.”
Right. I was about 15 when that came out.
There’s a teevee clip of the Dead where Phil Lesh is playing a broom instead of a bass. This inspired my own career as a broom player (air guitar not having the same cachet back in the day…)
The dearly departed played only Mosrite™ brand guitars.
May I suggest a dose of Satan’s Pilgrims? Satan’s Pilgrims
They only play a couple times a year anymore, but are straight outta Portland, the epicenter of the guitar rock/surf rock scene.
Todd Snider’s “Ballad of The Kingsmen”
won’t let me link to you tube?
To appreciate what they did, here’s Chet’s version. It’s nice. And subtle. And nice. Really, really nice.
I’m not 15. I’m 50. I still prefer the stomp.
How sad.
I didn’t know the Chet Atkins version predated the Ventures one. I have them both on my mp3 player, which is some kind of big mix of anachronisms, innit.
weird coincidence. I’m getting married friday, and my DJ/guitarist friend and I were going over the music for the reception. I had brought my Surfin Hits CD for him to add to the playlist, and we got to talking about the Ventures. He had learned to play guitar using their playbooks, and I got to talk about how I still have their records on vinyl.
Cue the Jimi Hendrix quote “you will never hear surf music… again“
RIP.
PS – Those dudes have GOT to be hot in those masks.
Congrats randiego!
Twang the axe slowly.
Within spitting distance indeed, Kid. ZiegHeiler would be a step or two down from Levi Johnston fer Bristol, but she’s probably looking. It’s also consistent from her mom’s Rogue’s Progress from Toad to flappy armed li’l mCcain to Insane Rictus Giuliani. Tough fer a straight republiKKKan woman to mate within the cohort, she wants a republiKKKan man willing to have sexual congress with her on other than a sporadic, reproductive basis.
Insane retarded unregenerate dissembling fucking fucks.
Oops, wrong spot.
I leaned more toward steering wheel bass
They were using the little known 1960 vintage cordless amps. Very popular on American Bandstand, Shindig and Hullabaloo.
Dang they turned that unfun Chet tune into a classic.
I love Chet, but, hey.
didn’t they do the theme for hawaii 5-0?
Bite your tongue! Do not diss Chet in my presence! The man was a genius who contributed a great deal to both rock and roll.
My girlfried married un Straitjacket. His groom’s cake was decorated like a Mexican wrestlers’ mask. They moved to Austin, and the band came through town and the lanky bass player wasn’t wearing a wedding ring! I was all worried about my girl, till I found out it was a new bass player.
Godspeed, Bob Bogle. May your bars whammy for eternity.
I don’t think they did the TV show version. The did a cover of it and it did pretty well on the charts.
In 1960 I was 14 years old, walking down Throckmorton Avenue in front of Bennett’s Variety store when I heard “Walk — Don’t Run” for the first time on a nearby radio. It changed my life.
I froze. Then I heard the sound of the A-minor chord bent with the whammy bar and the deal was sealed. I had never considered playing guitar up until that moment, but I knew then that I had to get one and learn to play it for the sole purpose of learning that song. And I did.
The kid brother of one of my classmates had a Fender Stratocaster at the time, and he could play every song on the Ventures’ album before I even learned an E-major chord. That was the first electric guitar I ever handled, and it was the sweetest instrument EVAH. I guess there is a reason that model goes for about $20,000 today, and also a reason why the kid went on to play with big name rock bands.
Thanks Egregious…!